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German soprano Diana Damrau is Konstanze, with Olga Peretyatko as Blonde and Franz Josef Selig as Osmin, in Christophe Loy's production of Mozart's opera Singspiel, performed at Barcelona's Gran Teatre Del Liceu in 2011. Ivor Bolton conducts.

Performance of Mariusz Trelinski's production of Tchaikovsky's opera, recorded live at the Paleau de les Arts, Valencia, in 2011. Kristine Opolais and Artur Rucinski lead the cast, with Omer Meir Wellber conducting the Orquestra de la Comunitat Valenciana.

Christian Thielemann conducts the Staatskapelle Dresden in a performance of Bruckner's Symphony No. 8, recorded in 2012 at the Semperoper.

Gabriele Ferro conducts the Orchestra and Chorus of the Teatro di San Carlo in this production of Bizet's opera, recorded in Naples in 2014. The cast includes Patrizia Ciofi, Dmitry Korchak, Dario Solari and Roberto Tagliavini.

A live performance of Verdi's seldom seen opera, recorded at the Teatro Lirico Giuseppe Verdi in 2012. Performers include Enrico Giuseppe Iori, Leonardo Lpez Linares, Dimitra Theodossiou and Andrew Richards. Boris Brott is the conductor.

Nikolaus Harnoncourt conducts the Vienna Philharmonic for the opening concert of the 2009 Salzburg Festival. Honouring the conductor on his 80th birthday, the concert pays homage to the Viennese dance and includes pieces by Josef Strauss, Anton Webern and Franz Schubert.

Leonard Bernstein conducts the Vienna Philharmonic in four separate performances of Sibelius's Symphonies 1, 2, 5 and 7, recorded live at the Wiener Musikvereinssaal between 1986-1990.

Georg Wbbolt directs this documentary about conductor and composer Leonard Bernstein. The film features interviews with, among others, Bernstein's children as well as Gustavo Dudamel, Stephen Sondheim, Kent Nagano and members of the Vienna Philharmonic.

Live performance of British rockabilly artist Levi Dexter with Japanese band Magic, recorded at the Green Bay Rockin' Fest. The show includes such hits as 'I Get So Excited', 'The Other Side of Midnight', 'Rockabilly Idol' and '16 Chicks'.

Documentary profile of the unfeasibly loud heavy metal band. The film traces their career and music, with archive footage and interviews with the band.

A look back at the career of guitarist Eric Clapton during the 1960s. As an early member of the Yardbirds and the Bluesbreakers, a founder member of Cream and the one who mattered most in the short-lived Blind Faith, Clapton had a far-reaching influence on music during that decade. The documentary includes archive interviews with Clapton himself, contributions from friends, band mates and colleagues, performance footage and photographs.

Double bill of programmes about US pop punk band Fall Out Boy featuring a collection of interviews and a documentary chronicling their rise to fame.

Documentary about the late blues guitarist Stevie Ray Vaughan. Featuring rare archive footage, interviews and contributions from fellow musicians, the film shows how Vaughan went from being new on the scene playing what was considered to be outdated music to becoming one of the most popular guitarists around.

Featuring exclusive and in-depth interviews and rare video footage of the band, this documentary provides an insight into the band, and reveals how they have achieved such phenomenal success, setting them apart from other UK groups.

Documentary directed by Julien Temple about English guitarist and songwriter Wilko Johnson, who, in 2013, was diagnosed with supposedly inoperable pancreatic cancer. Wilko, who rose to fame during the 1970s with pub rockers Dr Feelgood, speaks to the film-maker candidly about his illness and the sense of elation he felt for the world around him upon becoming aware of his impending death. The film captures the guitarist as he begins working on a long talked about project with The Who's Roger Daltrey and his experiences on what he believes will be his farewell tour.

Documentary about the folk music scene in Cambridge, Massachusetts, throughout the 1960s. The film chronicles the careers of famous musicians such as Joan Baez, Judy Collins, Tom Rush and Peter Rowan, outlining how folk music transformed from the interpretation of traditional ballads to the singer-songwriter generation. These emerging talents showcased their work at Club 47, which was opened by Joyce Chopra and Paula Kelley in 1958 and soon became a hotspot for the growing folk music scene. The film also explores the legacy left by these performers as folk music's popularity continues to endure.

Vladimir Fedoseyev conducts the Tchaikovsky Symphony Orchestra in performances of Beethoven's Symphony No. 2 and and Tchaikovsky's Symphony No. 5. The concert was recorded in 2005 at the Wiener Musikverein.

The Bolshoi Ballet perform Yuri Grigorovich's version of the ballet by Adolphe Adam. Svetlana Lunkina plays the title role with Dmitry Gudanov as Count Albrecht and Maria Allash as the Queen of the Wilis. When young peasant girl Giselle discovers that her lover, Albrecht, is actually a nobleman in disguise who is due to be married, she dies from despair. But when Albrecht's life is threatened by the evil Wilis clan, Giselle's spirit returns to save him. Pavel Klinichev conducts the Bolshoi Theatre Orchestra.

Jrg Breiding leads the Knabenchor Hannover and the Barockorchester L'Arco in a selection of cantatas for advent and Christmas by Johann Sebastian Bach. The soloists include Antonia Bourv, Claudia Erdmann, Markus Schfer and Michael Jckel.

Claudio Abbado conducts the Simon Bolivar Youth Orchestra in this performance of works by Prokofiev, Berg, and Tchaikovsky, recorded live at the Lucerne Festival in 2010.

Claudio Abbado conducts the Lucerne Festival Orchestra in these performances of works by Mozart and Beethoven featuring sopranos Christine Schfer and Juliane Banse and actor Bruno Ganz.

Andris Nelsons conducts the Lucerne Festival Orchestra in this performance of Brahms' works, recorded in August 2014. The works featured are 'Serenade No. 2 in A Major', 'Alto Rhapsody' and 'Symphony No. 2 in D Major'.

Live recording of rock band Slade performing at Koko in Camden, London in 2011. Introduced by DJ Mike Read, the concert was arranged on behalf of The Lord's Taverners, a youth cricket and disability sports charity whose aim is to improve prospects of disadvantaged young people.

Ten tracks from the top soul singers of the Sixties, to sing along to and really get those tonsils working 'I Say a Little Prayer' Aretha Franklin, 'I've Been Loving You Too Long' Otis Redding, 'Rescue Me' Fontella Bass, 'Up On the Roof' Drifters, 'When a Man Loves a Woman' Percy Sledge, 'Stand By Me Ben E. King, 'It's a Man's Man's World' James Brown, 'Patches' Clarence Carter, 'You Send Me' Sam Cooke and 'Rainy Night in Georgia' Brook Benton.

No band No problem. Based on the premise that bangers not only like to ROCK! but occasionally like to sing too, Kerrang! Magazine presents a vocal-free collection of heavy metal monsters. 16 handpicked monstrous anthems of rock to provide the ultimate high voltage home experience. Featuring a gluttony of legendary rock artists including Foo Fighters, Green Day, Nirvana, ACDC, Red Hot Chili Peppers, Iron Maiden and many more. Rock with the kids on air guitar get the ol' lady a broomhandle mic, a shampoo bottle - anything.

Live performance from the 1980s band, recorded in London and featuring tracks such as 'The Man From Russia', 'Forbidden Fruit' and 'Animal Magic'.

Double bill of British comedy dramas. In 'This Week of Grace' 1933 unemployed Grace Milroy Gracie Fields finds work as the housekeeper of the Duchess of Swinford Nina Boucicault. In her new role, Grace wins over the house staff and finds love but will her new-found happiness last In the musical 'She Shall Have Music' 1935 millionaire Freddie Gates Edmund Breon hires an orchestra to play on his yacht, to his son Brian Brian Lawrance's dismay. But Brian is soon won over after falling for singer Dorothy Drew June Clyde. Meanwhile, a group of rival businessmen plot to sabotage the band's performance.

Conductor Erich Leinsdorf leads the Boston Symphony Orchestra in a selection of works by Schubert, Schumann, and Wagner, recorded at Harvard University and the Boston Symphony Hall during the early 1960s.

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